Three years on from the release of debut album ‘Caroline’, London-based eight-piece Caroline announce new album ‘Caroline 2’, to be released on May 30^th via Rough Trade Records.

This new album ‘caroline 2’ begins with a guitar attacking in chiming spikes. Then, another provides slower, lower strokes, lagging behind. Then a direct but clattering beat of drums. All three instruments play in a different rhythm to one another, but also intertwine to form a beautifully lopsided loop. Jasper Llewellyn and Magdalena McLean sing in unison above the fray while the swirling sound beneath them builds and builds in intensity – trombone, bass clarinet and harmonium infusing themselves one at a time in layers as the sound hurtles towards escape velocity. Then, just as a sharp upward swoop of violin threatens to push things stratospheric, comes a colossal counterblast of electronic noise that cuts it all in two. That overwhelming plummet takes over entirely for a few seconds, before the initial attack of guitars and drums rallies back upwards in turn, the two sounds pushing and pulling in mid-air, then finally dovetailing – two sonic worlds moving as one.
 
In one way, caroline’s second album picks up where its predecessor left off – 2022’s sublime self-titled debut concluded with ‘Natural death’, where they also explored the possibilities of interlocking off-kilter guitar patterns – but in many, many others, it finds them breaking new ground. Those two worlds on the opener are only the beginning. “One of the fundamental themes is the idea of different things happening at once, things that are very different from each other but also simultaneous,” says Llewellyn, who along with Mike O’Malley and Casper Hughes forms the songwriting core of the larger eight-piece band. It makes for a record of extraordinary scope – where the organic and the artificial, the harsh and the beautiful, the pristine and the hazy all clash and combine. 

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